Ad
related to: the tragic end of universal genius meaning book summary
Search results
Results From The WOW.Com Content Network
In his work De la causa, principio et uno (On Cause, Principle, and Unity), Bruno articulated his belief in the unity of the universe and the presence of a single, universal spirit. This spirit, akin to the world soul, ensures the cohesion and harmony of the cosmos, reflecting the Hermetic principle of the interconnectedness of all things.
The writer was special and set aside from others by "genius", which might be a psychic wound or a particular formation of the ego but which was nonetheless unique to that particular person and was the critical feature that made that person an artist. Irving Babbitt's writings discuss the genius in the Modernist view. Again, genius is something ...
Genius is a characteristic of original and exceptional insight in the performance of some art or endeavor that surpasses expectations, sets new standards for the future, establishes better methods of operation, or remains outside the capabilities of competitors. [1] Genius is associated with intellectual ability and creative productivity.
Ulysses is, fundamentally (though it is much else besides), an immense, a prodigious self-laceration, the tearing away from himself, by a half-demented man of genius, of inhibitions and limitations which have grown to be flesh of his flesh…Mr. Joyce has made the superhuman effort to empty the whole of his consciousness into it…[But he has ...
Jean-Baptiste Racine (/ r æ ˈ s iː n / rass-EEN, US also / r ə ˈ s iː n / rə-SEEN; French: [ʒɑ̃ batist ʁasin]; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tradition and world literature.
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
Winged genius facing a woman with a tambourine and mirror, from southern Italy, about 320 BC. In Roman religion, the genius (Latin: [ˈɡɛnɪ.ʊs]; pl.: genii) is the individual instance of a general divine nature that is present in every individual person, place, or thing. [1]
The only mystery left at the end of the book is whether to feel pity for Berg as a tragic, unfulfilled genius or irritation with him as a boor who gets more attention than he deserved. The reader is left knowing immeasurably more about Moe Berg, and caring immeasurably less." [23]