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Powell and Pressburger also co-produced a few films by other directors under The Archers' banner: The Silver Fleet (1943), written and directed by Vernon Sewell and Gordon Wellesley, based on a story by Pressburger, [7] and The End of the River (1947), directed by Derek N. Twist, to which both Powell and Pressburger contributed uncredited ...
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger.Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going!
Michael Powell and Emeric Pressburger US title: The Pursuit of the Graf Spee: 1957 Ill Met by Moonlight: Michael Powell and Emeric Pressburger for Rank Organisation Film Productions (and Vega Productions) US title: Night Ambush: 1959 Luna de Miel: Michael Powell Production for Suevia Films-Cesáreo González (Spain)/Everdene (GB) a.k.a ...
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin ...
This category contains films which were either written, produced and/or directed by the British-based film-makers Powell & Pressburger, usually together but also to cover their solo work. As such, it should not be moved to anything like Films directed by Powell and Pressburger or it won't cover many of the films listed. Because they were such a ...
A Canterbury Tale is a 1944 British film by Michael Powell and Emeric Pressburger starring Eric Portman, Sheila Sim, Dennis Price and Sgt. John Sweet; Esmond Knight provided narration and played two small roles.
‘Made in England: The Films of Powell and Pressburger,’ the documentary executive produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the ...
Powell later wrote he felt “the blood coursing through his veins again.” At the same time, Scorsese kept sending Schoonmaker home with VHS tapes of the films. He indoctrinated others, too, like Francis Ford Coppola and Robert De Niro. The Powell and Pressburger legacy began to be revived. And a mutual filmmaking friendship blossomed.