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A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The Flute Concerto No. 2 in D major, K. 314 (285d) is an adaptation of the original oboe concerto. Dutch flautist Ferdinand Dejean [ Wikidata ] (1731–1797) commissioned Mozart for four flute quartets and three flute concerti, of which Mozart only completed three quartets and one new flute concerto.
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The Concerto for Oboe and Strings in D minor op. 1 is perhaps his best-known work. Its worth was affirmed by Johann Sebastian Bach, who transcribed it for harpsichord (BWV 974). A number of editions have been published, including an edition in C minor to accommodate the baroque oboe, which was played a whole tone lower than the modern oboe.
Anon. 1944. "Vaughan Williams's Oboe Concerto: First Performance". The Times no. 49967 (Monday, 2 October): 6. Biggar, Alice Lee Saunders. 1997. "An Analysis of the Oboe Concertos Dedicated to Leon Goossens Composed by Malcolm Arnold, Eugene Goossens, and Ralph Vaughan Williams." D.Mus. diss. Tallahassee: The Florida State University. Heffer ...
Fwv L:d 1 \ Lute Concerto in D minor Fwv L:d 2 \ Oboe Concerto in D minor Fwv L:d 3 \ Oboe Concerto in D minor Fwv L:d 4 \ Concerto for oboe and violin in D minor Fwv L:d 5 \ Concerto in D minor (lost) Fwv L:d 6 \ Concerto for flute, violin, bassoon & b.c. in D minor Fwv L:d 7 \ Concerto grosso in D minor Fwv L:e 1 \ Concerto for flute and oboe ...
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. [1] While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. [2]
12 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. 1 and 7 (both in B-flat major) for oboe, and No. 9 (in the same key) for violin 1716–1717 465, 188, 326, 354, 285a, 374, 464, 299, 373, 294a, 208a, 214