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Katcher, Philip. Volstad, Ron. (1986) American Civil War armies: Volunteer militia Osprey ISBN 978-0-85045-679-0; Spencer, John D. (2006) The American Civil War in the Indian Territory Osprey ISBN 978-1-84603-000-0; Emerson, William K. (1996) Encyclopedia of United States Army insignia and uniforms University of Oklahoma Press ISBN 978-0-8061 ...
A plate showing the uniform of a U.S. Army first sergeant, circa 1858, influenced by the French army. The military uniforms of the Union Army in the American Civil War were widely varied and, due to limitations on supply of wool and other materials, based on availability and cost of materials. [1]
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Cashin, Joan E. "Torn Bonnets and Stolen Silks: Fashion, Gender, Race, and Danger in the Wartime South." Civil War History 61#4 (2015): 338-361. online On the Confederate States of America
Confederate uniforms, plate 172 of the Civil War Atlas. Each branch of the Confederate States armed forces had its own service dress and fatigue uniforms and regulations regarding them during the American Civil War, which lasted from April 12, 1861, until May 1865.
The army was reorganized for the Civil War. On July 29, 1861 [6] the ranks of commissary sergeant, saddler sergeant, veterinary sergeant, hospital steward, company quartermaster sergeant and wagoner were added to the cavalry. The ranks of commissary sergeant, drum major and leader of the band and hospital steward were added to the infantry.
The Hardee hat, also known as the Model 1858 Dress Hat and sometimes nicknamed the "Jeff Davis", was the regulation dress hat for enlisted men in the Union Army during the American Civil War. The Hardee hat was also worn by Confederate soldiers.
Women may wear bolero jackets derived from the Civil War era zouave uniforms, shawls, denim jackets in a color matching their skirt or dress, or a fringe jacket like Annie Oakley. [16] For more formal occasions inhabitants of the West might opt for a suit with "smile" pockets, piping and a yoke similar to that on the Western shirts.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...