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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    For example, a 14-bit ADC can produce 16-bit 48 kHz audio if operated at 16× oversampling, or 768 kHz. Oversampled PCM, therefore, exchanges fewer bits per sample for more samples to obtain the same resolution. Dynamic range can also be enhanced with oversampling at signal reconstruction, absent oversampling at the source.

  3. 44,100 Hz - Wikipedia

    en.wikipedia.org/wiki/44,100_Hz

    Ultimately Sony prevailed on both sample rate (44.1 kHz) and bit depth (16 bits per sample, rather than 14 bits per sample). The technical reasoning behind the rate being chosen is associated with characteristics of human hearing and early digital audio recording systems as described below. [1]: sec. 8.5

  4. SoX - Wikipedia

    en.wikipedia.org/wiki/SoX

    SoX being used to process some audio: $ sox track1.wav track1-processed.flac remix - norm -3 highpass 22 gain -3 rate 48k norm -3 dither Input File : 'track1.wav' Channels : 2 Sample Rate : 44100 Precision : 16-bit Duration : 00:02:54.97 = 7716324 samples = 13123 CDDA sectors Sample Encoding: 16-bit Signed Integer PCM Endian Type : little Output File : 'track1-processed.flac' Channels : 1 ...

  5. Dual 16-bit, 1.6-GSPS, TxDAC+ D/A Converter Synthesizes ... - AOL

    www.aol.com/2012/12/20/dual-16-bit-16-gsps-txdac...

    Dual 16-bit, 1.6-GSPS, TxDAC+ D/A Converter Synthesizes High-Quality Wideband Signals from Baseband to High Intermediate Frequencies ADI's AD9142 D/A converter features a proprietary low spurious ...

  6. Dither - Wikipedia

    en.wikipedia.org/wiki/Dither

    The final version of audio that goes onto a compact disc contains only 16 bits per sample, but throughout the production process, a greater number of bits are typically used to represent the sample, this must be reduced to 16 bits to make the CD. There are multiple ways to do this.

  7. PCM adaptor - Wikipedia

    en.wikipedia.org/wiki/PCM_adaptor

    A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...

  8. WAV - Wikipedia

    en.wikipedia.org/wiki/WAV

    LPCM is also the standard audio coding format for audio CDs, which store two-channel LPCM audio sampled at 44.1 kHz with 16 bits per sample. Since LPCM is uncompressed and retains all of the samples of an audio track, professional users or audio experts may use the WAV format with LPCM audio for maximum audio quality. [ 9 ]

  9. Pulse-code modulation - Wikipedia

    en.wikipedia.org/wiki/Pulse-code_modulation

    Delta modulation is a form of DPCM that uses one bit per sample to indicate whether the signal is increasing or decreasing compared to the previous sample. In telephony, a standard audio signal for a single phone call is encoded as 8,000 samples per second, of 8 bits each, giving a 64 kbit/s digital signal known as DS0.