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Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
On-line Concordance to the Divine Comedy; Wikisummaries summary and analysis of Inferno; Danteworlds, multimedia presentation of the Divine Comedy for students by Guy Raffa of the University of Texas; Dante's Places: a map (still a prototype) of the places named by Dante in the Commedia, created with GoogleMaps. Explanatory PDF is available for ...
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
The Divine Comedy has been a source of inspiration for numerous artists for over seven centuries. While references to the Inferno are the most common, there are also references to the Purgatorio. Franz Liszt's Symphony to Dante's Divina Commedia (1856) has a "Purgatorio" movement, as does Robert W. Smith's The Divine Comedy (2006).
Beatrice "Bice" di Folco Portinari [1] (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy (La Divina Commedia), Paradiso, and during the ...
His guide, the Sibyl, corresponds in The Divine Comedy to Virgil, the guide of "Dante" as the speaker of the poem. The descriptions in the Aeneid of "mighty Dis's walls... wide buildings girt by a triple wall", [ 5 ] gave Dante the impetus for his later and more formal description of the city of Dis. [ 6 ]