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Naming conventions for women in ancient Rome differed from nomenclature for men, and practice changed dramatically from the Early Republic to the High Empire and then into Late Antiquity. Females were identified officially by the feminine of the family name ( nomen gentile , that is, the gens name), which might be further differentiated by the ...
Concrete used in construction in Ancient Rome; irregular pieces of stone, terracotta or brick used to bind the mortar of concrete. Also called caementum (plural caementa). Opus incertum Ancient Roman construction technique, using irregularly shaped and randomly placed uncut stones or fist-sized tuff blocks inserted in a core of opus caementicium.
Among the other peoples of Italy, women's praenomina continued to be used regularly until the populace was thoroughly Romanized. In the Etruscan culture, where women held a markedly higher social status than at Rome or in other ancient societies, inscriptions referring to women nearly always include praenomina. [10] Avlia L.F. Secunda
This is a list of Roman nomina. The nomen identified all free Roman citizens as members of individual gentes, originally families sharing a single nomen and claiming descent from a common ancestor. Over centuries, a gens could expand from a single family to a large clan, potentially including hundreds or even thousands of members.
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There are about 5,000 citizens of ancient Rome about whom we have some biographical information, and for a variety of reasons, naming each one uniquely for articles is not straightforward. Even the most famous Romans can be problematic: Caesar usually means Julius Caesar , but this cognomen was later used by all Roman emperors.
Roman Empire; Roman naming conventions; Naming conventions for women in ancient Rome; Roman Republic; List of Roman imperial victory titles; List of Roman nomina; List of Roman praenomina; Roman tribe
Common ending to ancient Roman comedies: Suetonius claimed in The Twelve Caesars that these were the last words of Augustus; Sibelius applied them to the third movement of his String Quartet No. 2, so that his audience would recognize that it was the last one, because a fourth would be ordinarily expected. acta non verba: Deeds not Words