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The Tolkien scholar Jane Chance's 1979 book Tolkien's Art: 'A Mythology for England' [5] analysed the idea that Tolkien's Middle-earth writings were intended to form such a mythology. She cited one of Tolkien's letters, sent late in 1951: [6] [T 3]
Tolkien's Art: 'A Mythology for England' is a 1979 book of Tolkien scholarship by Jane Chance, writing then as Jane Chance Nitzsche.The book looks in turn at Tolkien's essays "On Fairy-Stories" and "Beowulf: The Monsters and the Critics"; The Hobbit; the fairy-stories "Leaf by Niggle" and "Smith of Wootton Major"; the minor works "Lay of Autrou and Itroun", "The Homecoming of Beorhtnoth ...
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan.
The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a mythology for England. The earliest story, "The Voyage of Earendel, the Evening Star", is from 1914; he revised and rewrote the legendarium stories for most of his ...
Buck suggests that if Tolkien was intending to create a new mythology for England, that would fit the tradition of English post-colonial literature and the many novelists and poets who reflected on the state of modern English society and the nature of Englishness. [119]
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
Tolkien and the Invention of Myth: A Reader is a 2004 collection of scholarly essays on J. R. R. Tolkien's writings on Middle-earth, edited by Jane Chance.It has been warmly welcomed by critics, though some of the student contributions are less useful than the revised journal articles, conference papers and lectures by the more experienced essayists, who include the established Tolkien ...
The series shows the development over time of Tolkien's conception of Middle-earth as a fictional place with its own peoples, languages, and history, from his earliest notions of "a mythology for England" through to the development of the stories that make up The Silmarillion and The Lord of the Rings.