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In classical literature two of the best-known allegories are the Cave in Plato's The Republic (Book VII) and the story of the stomach and its members in the speech of Menenius Agrippa (Livy ii. 32). Among the best-known examples of allegory, Plato's Allegory of the Cave, forms a part of his larger work The Republic.
Single images of personifications tend to be titled as an "allegory", arguably incorrectly. [11] By the late 20th century personification seemed largely out of fashion, but the semi-personificatory superhero figures of many comic book series came in the 21st century to dominate popular cinema in a number of superhero film franchises.
Lewis, an expert on the subject of allegory [2] and the author of The Allegory of Love, maintained that the Chronicles were not allegory on the basis that there is no one-to-one correspondence between characters and events in the books, and figures and events in Christian doctrine. He preferred to call the Christian aspects of them "suppositional".
Articles relating to allegory, a narrative in which a character, place, or event is used to deliver a broader message about real-world issues and occurrences. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Did I Ever Tell You How Lucky You Are? is a children's book written and illustrated by Theodor Geisel under the pen name Dr. Seuss and published by Random House on September 12, 1973. An unrelated poem by Seuss titled "Did I Ever Tell You..?" was published in Redbook magazine in February 1956. [a] [1]
Haroun and the Sea of Stories is an allegory for problems existing in society at the time of its publication, especially in the Indian subcontinent. It presents these problems from the perspective of the young protagonist, Haroun. Salman Rushdie dedicated this book to his son, from whom he was separated for some time.
Perhaps the most famous example of a thorough and continuous allegorical work from the Renaissance is the six books of Edmund Spenser's The Faerie Queene. In book 4, for example, Agape has three sons: Priamond (from one), Diamond (from two), and Telamond (from téleios, perfect, but emended by Jortin to 'Triamond' in his 1734 edition). The ...
Plato refers to these debates and made allegories and the nature of allegory a prominent theme in his dialogues. [9] He uses many allegorical devices and explicitly calls attention to them. In the Parable of the Cave, for example, Plato tells a symbolic tale and interprets its elements one by one (Rep., 514a1 ff.).