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This is because the TDIF-1 spec was derived from the digital audio transmitter of the NEC uPD6381 DSP used in the DA-88. The TDIF-1 Version 1.1 specification includes parity and other channel information bits. TDIF-1 Version 2.0 includes specification for double speed and quad speed (e.g. 96 kHz and 192 kHz) rates at reduced channel counts. [3]
The TASCAM 85 16B analog tape recorder can record 16 tracks of audio on 1-inch (2.54cm) tape. TASCAM started out as a research and development group to research how to use TEAC's recording technology in musician and recording studio products. The group was called TASC (TEAC Audio Systems Corp). The founders included Mr. K. Tani, one of the ...
An audio interface is a piece of computer hardware that allows the input and output of audio signals to and from a host computer or recording device. Audio interfaces are closely related to computer sound cards , but whereas sound cards are optimized for audio playback an audio interface is primarily intended to provide low-latency analog-to ...
The most common usage is the DB25, using TASCAM's pinout (now standardised in AES59 by the Audio Engineering Society [1]). To avoid the possibility of bent pins on fixed equipment, the male connector is generally fitted to the cabling and the female connector to the equipment.
The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for DA-98HR, suitable for recording high-resolution audio ).
USB was designed as a single connector to support all needs, including any generic data, audio/video, power, and more; DisplayLink is its most successful Audio+Video protocol. Until the 3.0 revision, very low data rates meant most A/V needed alternative connectors.