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In 2017, I saw the young Chicago actress Aeriel Williams in “Black Pearl” at the Black Ensemble Theatre, a show about Josephine Baker. I remember thinking she was the kind of phenomenal new ...
Antigone, the daughter of Oedipus King of Thebes, Greece, learns that her two brothers Polyneices and Eteocles have killed each other fighting on different sides of a war. Creon, Antigone's uncle and newly appointed King of Thebes, buries Eteocles, who fought on the Theban side of the war, hailing him as a great hero. He refuses to bury ...
So teaches “Antigone.” Sophocles’ Greek tragedy, wherein a young woman holds her own against a tyrant ruler who refuses to bury one of her brothers, endures precisely because its themes ...
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Antigone is a 2019 Canadian drama film directed by Sophie Deraspe. An adaptation of the ancient Greek play Antigone by Sophocles, the film transposes the story to a modern-day refugee family in Montreal. The cast includes Nahéma Ricci as Antigone, with Rawad El-Zein, Hakim Brahimi, Rachida Oussaada, and Nour Belkhiria.
Antigone does not deny that Polynices has betrayed the state, she simply acts as if this betrayal does not rob him of the connection that he would have otherwise had with the city. Creon, on the other hand, believes that citizenship is a contract; it is not absolute or inalienable, and can be lost in certain circumstances.
It has since been published many times. In 1959, it was staged at the East 74th Street Theater in Manhattan, New York City. [6] There was an English-language television production for the BBC in 1959 starring Dorothy Tutin. It was filmed for Australian television in 1966. [7]
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.