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Christ carrying the cross with the crown of thorns, as painted by El Greco, c. 1580s. According to the New Testament, a woven crown of thorns (Ancient Greek: στέφανος ἐξ ἀκανθῶν, romanized: stephanos ex akanthōn or ἀκάνθινος στέφανος, akanthinos stephanos) was placed on the head of Jesus during the events leading up to his crucifixion.
Paintings of Jesus being crowned with thorns. Pages in category "Paintings of Christ Crowned with Thorns" The following 15 pages are in this category, out of 15 total.
The Crowning with Thorns refers to the Crown of Thorns being placed on the head of Jesus, and is a common subject in art, examples including: The Crowning with Thorns (Titian, Paris) painted in 1542/1543 by Titian; The Crowning with Thorns (Titian, Munich) painted in 1576 by Titian
Articles relating to the crown of thorns and its depictions. It was the crown placed on the head of Jesus during the events leading up to his crucifixion.It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority.
It depicts the head of Christ, wearing the crown of thorns. In the background there is a white cloth showing that the image represents the Veil of Veronica, but Christ's head is given volume through alternate use of light and dark shadows. The painting is in the J. Paul Getty Museum in Los Angeles. Correggio was known for creating some of the ...
The Cross on which Jesus was crucified , either depicted alone or with the crosses of the two thieves; The Crown of Thorns; The pillar or column where Jesus was whipped in the Flagellation of Christ; The whip(s), in Germany often birches, used for the 39 lashes; The Holy Sponge set on a reed, with which gall and vinegar were offered to Jesus
It continued to grow in popularity, helped by the Jubilee Year of 1350, when the Roman image seems to have had, perhaps initially only for the Jubilee, a papal indulgence of 14,000 years granted for prayers said in its presence. [3] Man of Sorrows (c. 1485–95), an especially complex version by Geertgen tot Sint Jans, Dutch, 25 × 24 cm [4]
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.