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"The Weight" was written by Robbie Robertson, who found the tune by strumming idly on his guitar, a 1951 Martin D-28, when he noticed that the interior included a stamp noting that it was manufactured in Nazareth, Pennsylvania (C. F. Martin & Company is situated there), and he started crafting the lyrics as he played.
Weight died on 13 August 1997 at the age of 88. Works by Weight are owned by the Tate Gallery, Huddersfield Art Gallery, the Victoria and Albert Museum, the Imperial War Museum and feature in the United Kingdom Government Art Collection. David Bowie bought and owned Carel Weight's Laertes (1979) as part of his private collection. [15]
Ojo comprises the first, and My Inner Bimbo the second, in a cycle of original limited series or graphic novels published by Oni Press, which he dubbed "The Trout-a-Verse". The cycle concerned the intertwined lives of Annie ( Ojo ), [ 15 ] Lo ( My Inner Bimbo ), [ 4 ] Dana, Nola, Otto, and others all connected by an encounter with an urban ...
Stephen Longstreet (April 18, 1907 – February 20, 2002) was an American writer and artist. [1] Biography ... A number of his books dealt with jazz, ...
Taschen Basic Art is a best selling art collection books, published by Taschen, starting in 1985. Each book looks at a different artist, with a biography, and illustrations of their work. The books are published as affordable hardcover books of 21 x 26 cm. As of 2022, 78 titles had been published. [1]
Darick W. Robertson is an American artist best known for his work as a comic book illustrator on series he co-created, notably Transmetropolitan (1997–2002) and The Boys (2006–2012; 2020). Robertson has illustrated hundreds of comics in his thirty-plus years in the industry.
The Books often screened these videos during their live performances. [21] The Books toured heavily between 2005 and 2007, including two tours in Europe and two Canadian shows. [6] In early 2009 the Books covered the Nick Drake song "Cello Song" in collaboration with José González for the Red Hot Organization's Dark Was the Night fund-raising ...
Wragg's choice of medium was an ideological one. He was a socialist and pacifist and wanted his art to speak directly to common people rather than to art-lovers. His vivid, polemical style had considerable influence on other popular forms in the 1940s and 1950s, such as government information posters and advertising.