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In his "ferro-concrete" (reinforced concrete) poems, Vasily Kamensky replaced grammar and syntax with a spatial arrangement of words that celebrates concrete as a dynamic force in the invention of the modern city. The artists discarded customary book materials and printed Tango on cheap wallpaper as a parody of urban bourgeois taste.
Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Un coup de dés jamais n'abolira le hasard (A Throw of the Dice will Never Abolish Chance) is a poem by the French Symbolist poet Stéphane Mallarmé. Its intimate combination of free verse and unusual typographic layout anticipated the 20th-century interest in graphic design and concrete poetry .
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The Rose That Grew from Concrete (1999) is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. [1] A preface was written by Shakur's mother Afeni Shakur , a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinberg .
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András Petőcz: Letter "A" (concrete poem, 1989) Petőcz has published around 25 books, including poems for adults and children, essays, fiction and reviews. Petőcz poetry volumes include the book A tenger dícsérete (1994, ISBN 963-7971-51-3 ), [b] and the poetry collections Meduza (2000, ISBN 963-9048-83-6 ) and A napsütötte sávban ...