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Caravaggio's painting of The Incredulity of Saint Thomas c. 1601–1602 was painted for Vincenzo Giustiniani (Pietro Bellori) and later entered the Royal Collection of Prussia, survived the Second World War unscathed, and is now in the Palais at Sanssouci, Potsdam, Berlin. [1]
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
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Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌ k ær ə ˈ v æ dʒ i oʊ /, US: /-ˈ v ɑː dʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [1] – 18 July 1610), was an Italian painter active in Rome for most of his artistic life.
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The Age of Caravaggio: an exhibition held at the Metropolitan Museum of Art, New York, February 5-April 14, 1985, and at the Museo Nazionale di Capodimonte. New York, Milan: The Metropolitan Museum of Art and Electa. ISBN 0-87099-382-8. Hilaire, Michel (1995). Caravage, le sacré et la vie. Paris: Herscher. ISBN 2-7335-0251-4. Longhi, Roberto ...
In the story the Apostle Thomas is known as Doubting Thomas. [3] The work of art is a depiction of the historic event. Countless Greek and Italian painters have artistically depicted the dramatic event. Caravaggio created a notable depiction known as The Incredulity of Saint Thomas (Caravaggio). Two works of art are similar to the painting.
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