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Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. [1] After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental ...
Daibutsuyō (大仏様, lit. great Buddha style) is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with Wayō and Zenshūyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Originally called tenjikuyō (天竺様, lit.
A torii at the entrance of Shitennō-ji, a Buddhist temple in Osaka. In Japan, Buddhist temples co-exist with Shinto shrines and both share the basic features of Japanese traditional architecture. [3] Both torii and rōmon mark the entrance to a shrine, as well as to temples, although torii is associated with Shinto and rōmon with Buddhism.
Zenshūyō (禅宗様, "Zen style") is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century.
Main hall or Main Temple is the building within a Japanese Buddhist monastery compound which enshrines the main object of veneration. [1] Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them butsuden , butsu-dō , kondō , konpon-chūdō , and hondō .
Ichijō-ji's pagoda is an example of the wayō style.. Wayō (和様, lit. Japanese style) is a Buddhist architectural style developed in Japan before the Kamakura period (1185－1333), and is one of the important Buddhist architectural styles in Japan along with Daibutsuyō and the Zenshūyō, which were developed based on Chinese architectural styles from the Kamakura period.
An example of mutesaki tokyō using six brackets. Tokyō (斗栱・斗拱, more often 斗きょう) [note 1] (also called kumimono (組物) or masugumi (斗組)) is a system of supporting blocks (斗 or 大斗, masu or daito, lit. block or big block) and brackets (肘木, hijiki, lit. elbow wood) supporting the eaves of a Japanese building, usually part of a Buddhist temple or Shinto shrine. [1]
Tōfuku-ji's sanmon (Japan's National Treasure). A sanmon (三門 or 山門) or sangedatsumon (三解脱門, lit. "gate of the three liberations") is the most important mon of a Japanese Zen Buddhist temple, and is part of the Zen shichidō garan, the group of buildings that forms the heart of a Zen Buddhist temple. [1]