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These latter paintings are closely related to images of the hunt, which came into fashion in Flemish painting during the 17th century. Peter Paul Rubens, The Tiger, Leopard and Lion Hunt, c. 1617–1618. Musée des Beaux Arts, Rennes. This painting is typical of Rubens's "exotic" hunts painted between about 1615 and 1625.
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early ...
The Archdukes Albert and Isabella Visiting a Collector's Cabinet is a 17th-century Flemish collaborative painting, now regarded as by Jan Brueghel the Elder and Hieronymus Francken II. It is part of the collection of The Walters Art Museum in Baltimore, Maryland.
Sir Peter Paul Rubens (/ ˈ r uː b ən z / ROO-bənz; [1] Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition.
Jan van Kessel the Elder or Jan van Kessel (I) (baptized 5 April 1626, Antwerp – 17 April 1679, Antwerp) was a Flemish painter active in Antwerp in the mid-17th century. A versatile artist, he practiced in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions ...
Allegorical paintings by Flemish artists (11 P) * Early Netherlandish paintings (13 C, 8 P) Flemish Baroque paintings (6 C, 2 P)
The Smoker, a presumed self portrait of van Craesbeek, 1635-36. Joos van Craesbeeck [1] (c. 1605/06 – c. 1660) was a Flemish baker and a painter who played an important role in the development of Flemish genre painting in the mid-17th century through his tavern scenes and dissolute portraits.
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...