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The sculpture also acted as an architectural bracket, supporting a long sandstone beam that once ran above the yakshi's head. The Shalabhanjika Yakshi thus served two purposes: as a fertility symbol associated with the vitality of the fruit-bearing tree and as a structural element supporting the whole configuration of the gateway.
Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
Tree shaping (also known by several other alternative names) uses living trees and other woody plants as the medium to create structures and art. There are a few different methods [2] used by the various artists to shape their trees, which share a common heritage with other artistic horticultural and agricultural practices, such as pleaching, bonsai, espalier, and topiary, and employing some ...
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Meet Gabi Rizea, a 42-year-old artist from Romania, who uses his chainsaw skills to turn trees into beautiful sculptures Skip to main content. 24/7 Help. For premium support please call: 800-290 ...
The sculpture, which was carved from a very shallow block, is roughly 4 ft (1.2 m) tall, 3 ft (0.91 m) wide, and just 18 in (460 mm) deep. In the sculpture, the faun stands with one leg on either side of a central tree he is climbing. The faun’s left hand is grasping a tree stump and his left leg is supported by a different stump. [8]