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Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure and Joy Division.
The following is a list of notable artists who have been described as gothic rock by reliable sources. "Gothic rock" is a term typically used to describe a musical subgenre of post-punk and alternative rock that formed during the late 1970s. Gothic rock bands grew from the strong ties they had to the English punk rock and
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees , [ 2 ] [ 3 ] Joy Division , [ 2 ] [ 3 ] [ 4 ] Bauhaus , [ 2 ] [ 3 ] and The Cure .
"Dancing With Myself" and "White Wedding" are ’80s nostalgia-circuit staples, but Idol is a dyed-in-the-wool first-gen punk (as a member of the U.K. group Generation X) and his radio hits have ...
Heartworms' music has been categorised by critics as post-punk, [14] [15] gothic rock [15] and dance punk. [ 14 ] [ 15 ] She often incorporates elements of electroclash , post-industrial , 1990s and 2000s techno and electronic dance music .
Articles relating to the Goth subculture, a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Its imagery and cultural proclivities indicate influences from 19th-century Gothic fiction and from horror films.
The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
As his career reaches literal new heights with the Hoover Dam concert film 'State Line,' the icon reflects on the album that made him the biggest star to emerge from the first wave of U.K. punk.