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Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels.
Thomas M. Disch, The Priest: A Gothic Romance (1994) Fyodor Mikhailovich Dostoyevsky, The Double (1846), The Landlady (1847), Bobok (1873) and The Brothers Karamazov (1880) Arthur Conan Doyle, Lot No. 249 (1892) Daphne du Maurier, Jamaica Inn (1936), Rebecca (1938) and My Cousin Rachel (1951) George du Maurier, Trilby (1894)
Writers of works in the Gothic fiction genre. Pages in category "Writers of Gothic fiction" The following 156 pages are in this category, out of 156 total. ...
Also, one cannot ignore the contemporary Gothic themes of mechanism and automation that rationalism and logic lead to. Puritan imagery, particularly that of Hell, acted as potent brain candy for 19th-century authors like Edgar Allan Poe and Nathaniel Hawthorne. [2]
Vampire literature covers the spectrum of literary work concerned principally with the subject of vampires. The literary vampire first appeared in 18th-century poetry, before becoming one of the stock figures of gothic fiction with the publication of Polidori's The Vampyre (1819), inspired by a story told to him by Lord Byron.
Shirley Jackson is one of the iconic writers of horror of the 20th century, and her final novel, We Have Always Lived in the Castle, is a gothic masterpiece. The story follows 18-year-old Merricat ...
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet.Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1]
Examples of this form of fiction are now rare, surviving only in a few collections. [2] One of the collections where a number of gothic bluebooks have been preserved is the Corvey Library. [3] Gothic bluebooks were descendants of the chapbook, trade in which had nearly disappeared by 1800. [4]