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Nicknames are common among jazz musicians. Nicknames and sobriquets can also sometimes become stage names, and there are several cases of performers being known almost exclusively by their nicknames as opposed to their given names. Some of the most notable nicknames and stage names are listed here.
Budo, American musician, multi-instrumentalist and record producer; Bugo (born 1973), Italian singer-songwriter and actor; Bukkcity (born 1980), Australian-born American rapper; Bumkey (born 1984), South Korean R&B singer; Burial, British electronic musician; Busdriver (born 1978), American rapper; Bushi (born 1983), Japanese professional wrestler
Stereolab – Named after the electronic music division of Vanguard Records, a publisher of classical, folk, and jazz records. [306] Stone Sour – A cocktail made up of one part whiskey and a splash of orange juice. The group describe their music as one part pure rock adrenaline with a splash of melody.
[5] [6] In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "the King of Jazz" and "the King of Swing" respectively, despite there being more highly regarded contemporary African-American artists.
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1
Graham William Nash OBE (born 2 February 1942) is an English-American [1] musician, singer and songwriter. He is known for his light tenor voice and for his contributions as a member of the Hollies and Crosby, Stills & Nash.
This is a list of new-age music artists with articles on Wikipedia. New-age music is broadly defined as relaxing, even "meditative", music that is primarily instrumental. Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation.
Widely regarded as "one of jazz's finest clarinetists", [3] Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine". Before the release of "Beguine", Shaw and his fledgling band ...