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The pluralization of adon "my lord" is adonai "my lords." [2] Otto Eissfeldt theorizes that adonai is a post positive element attested to in Ugaritic writing.He points to the myth of the struggle between Baal and Yam as evidence.
It is a pastoral elegy, in the English tradition of John Milton's Lycidas. [1] Shelley had studied and translated classical elegies. The title of the poem is modelled on ancient works, such as Achilleis (a poem about Achilles ), an epic poem by the 1st-century AD Roman poet Statius , and refers to the untimely death of the Greek Adonis , a god ...
All the common words, idioms, proverbs, and modern academic, literary, scientific, and technical terms of the Urdu language have been listed. Only those obsolete words and idioms have been included which are found in ancient books. They are indicated by the symbol "Qaaf". The English words that are commonly used in Urdu have also been included. [5]
Farhang-e-Asifiya (Urdu: فرہنگ آصفیہ, lit. 'The Dictionary of Asif') is an Urdu-to-Urdu dictionary compiled by Syed Ahmad Dehlvi. [1] It has more than 60,000 entries in four volumes. [2] It was first published in January 1901 by Rifah-e-Aam Press in Lahore, present-day Pakistan. [3] [4]
An Adonaist is a sect or party who maintain that the Hebrew language vowel points ordinarily annexed to the consonants of the word "Jehovah", are not the natural points belonging to that word, and that they do not express the true pronunciation of it; but that they are vowel points belonging to the words, Adonai and Elohim, applied to the ineffable name Jehovah, which the Jews were forbidden ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Literature written in Hindi-Urdu was not common prior to the 1700s. [14] In North India, rich literary cultures existed in Awadhi and Brajbhasha, with earliest Awadhi texts dating to the 14th century. [15] In Delhi, poets wrote in Persian, while Rekhta/Hindvi (what is now recognizable as Hindi-Urdu) did not have the same literary recognition. [16]
In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...