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Plato's Symposium, depiction by Anselm Feuerbach Banquet scene from a Temple of Athena (6th century BC relief). The Greek symposium was a key Hellenic social institution. It was a forum for the progeny of respected families to debate, plot, boast, or simply to revel with others.
It was used as a wine cooler, and specifically as part of the elite sympotic set in the ancient Greek symposium. The psykter , as distinct from other coolers, is a vase which has a mushroom-shaped body, and was produced for only a short period of time during the late-sixth to mid-fifth centuries, with almost all of this type dating to between ...
Aeschines and Socrates in Raphael's The School of Athens Pietro Testa's etching of the Symposium (1648) The Apotheosis of Homer (1827) The Death of Socrates (1787) Double Herm of Socrates and Seneca (3rd century AD) The School of Athens (c. 1511) Socrates (c. 1950) Socrates, his two Wives, and Alcibiades (1660s) Symposium (Feuerbach) (1869)
Agathon (/ ˈ æ ɡ ə θ ɒ n /; Ancient Greek: Ἀγάθων; c. 448 – c. 400 BC) was an Athenian tragic poet whose works have been lost. He is best known for his appearance in Plato's Symposium, which describes the banquet given to celebrate his obtaining a prize for his first tragedy at the Lenaia in 416. [1]
The men reclining on the northern and southern walls display acts of pederasty, the socially accepted romantic relationship between an older man and a younger boy in ancient Greek culture. [5] A symposium was a common location for these types of relationships to develop because they were a private space for elite Greek men to escape the ...
Nov. 1—Photographers view the world with the brain of an adult and the curiosity of a child, photographer and educator Tony Chirinos says. "There was an amazing curator who says that ...
The social context was thus restructured, and conducive to a full restoration of cultural activity, fostered by a rich and cultured ruling class, which debated philosophy and literature in the symposium, took great interest in art, practised patronage and allowed artists freedom for formal research, adapting the influence of Eastern art to the ...
Greek hetaira and her client, approx. 430 BC. The fact that she is on the couch with him is telling, as wives were not allowed into the symposium.. A hetaira (/ h ɪ ˈ t aɪ r ə /; Ancient Greek: ἑταίρα, lit.