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"Heaven Knows" is a song by American singer Donna Summer, with guest vocals from Brooklyn Dreams. It is a single from Summer's Live and More album. The song became a number 4 hit for Summer on the US Billboard Hot 100 [1] the week of March 17, 1979, and held there for three weeks. It also reached number 3 in Canada.
The song also topped the US Dance Club Songs chart, with Summer's follow-up "Bad Girls" as a double A-side. "Hot Stuff" was the seventh biggest song of 1979 in the US. [9] The popular 12" single edition of the song plays the full 6:47 version of the song and then segues into "Bad Girls" 4:55 version.
The 7-inch version of "Heaven Knows" was created by combining the vocals from Summer's Live and More album with the instrumental tracks from Brooklyn Dreams' Sleepless Nights album (on that album Joe Esposito sings the lead vocal and Brooklyn Dreams sing the chorus) - a rare instance of a Summer 7-inch single which is actually longer than the ...
"Heaven Knows" (Donna Summer song), 1978 "Heaven Knows" (Robert Plant song), 1988 "Heaven Knows" (When in Rome song), 1988 "Heaven Knows" (Lalah Hathaway song), 1990 "Heaven Knows" (Rick Price song), 1992 "Heaven Knows" (Luther Vandross song), 1993 "Heaven Knows" (Squeeze song), 1995 "Heaven Knows" (Nana Mizuki song), 2001
And the rest of the community had some other really great examples of other songs they loved where they couldn't name the artist. Here's what they said: Here's what they said: 1.
Sudano is Summer’s middle daughter and the co-director/executive producer of the HBO original documentary, Love to Love You, Donna Summer (released in February). The hour and …
The discography of American singer Donna Summer includes 17 studio albums and 89 singles, plus several other releases. Her first single, "Wassermann", a German version of the song "Aquarius" from the musical Hair, was released in Europe in 1968 under her maiden name, Donna Gaines.
From in hot water to “Hot Stuff”! Boy Meets World is jam-packed with memorable moments, but it wasn’t until season 5 that audiences realized what they’d always needed — the men dancing ...