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Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.
The Pe'a covers the body from the middle of the back to the knees. The word tattoo in the English language is believed to have originated from the Samoan word "tatau".. The tatau process for the Pe'a is extremely painful, [5] and undertaken by tufuga ta tatau (master tattooists), using a set of handmade tools: pieces of bone, turtle shell and wood.
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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Turtle carapaces and scutes from Red Sea turtles (Eretmochelys imbricata) were used in rings, bracelets, dishes, bowls, knife hilts, amulets, and combs. Carapaces from Kleinmann's tortoise were used as sounding boards for lutes, harps and mandolins. [16] Turtle shells were also used to make norvas, an instrument resembling a banjo. [26]
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.