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Facing It" is a poem by American poet and author Yusef Komunyakaa. It is a reflection on Komunyakaa's first visit to the Vietnam Veterans Memorial. Komunyakaa served in Vietnam and was discharged from the Army in 1966, during which time he wrote for army newspaper Southern Cross. It is the second poem written by Komunyakaa about Vietnam. R. S.
A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5] Finally, the full context of the poem might be analyzed in order to shed further light on the text, looking at such aspects as the author's biography and ...
The author suggests that the powers in the precursor poem actually derive from something beyond it; the poet does so "to generalize away the uniqueness of the earlier work". Bloom took the term daemonization from Neoplatonism , where it refers to an adept being aided by an intermediary, who is neither divine nor human.
The poem was first published under the title "Massa Nemirov" ("The Vision of Nemirov") in the newspaper HaZman, edited by Ben-Tzion Katz, in the city of Petersburg. [2] The change of title and the omission of several lines in the poem were necessary in order to gain the approval of the censor, the converted Jew Landau, for the publication of the poem.
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
Loss is an important theme in the "Matthew" poems; To Geoffrey Hartman, "radical loss" haunts both the "Lucy" poems and the "Matthew" poems. [17] The "Lucy" poems, written at the same time as "Two April Mornings", share their discussion on separation, but the "Matthew" poems make it clear that a loss cannot truly be replaced. [ 18 ]
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.