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Medieval art is colorful, creative, quirky, stylized, and goofy. The results are often incredibly bizarre but undeniably entertaining. The post ‘Weird Medieval Guys’: 50 Amusing And Confusing ...
There’s a reason why Medieval art is particularly, well, weird. While paintings and sculptures that remain from most other periods in history were generally produced by trained artists, the ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Medieval art was now heavily collected, both by museums and private collectors like George Salting, the Rothschild family and John Pierpont Morgan. After the decline of the Gothic Revival, and the Celtic Revival use of Insular styles, the anti-realist and expressive elements of medieval art have still proved an inspiration for many modern artists.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
In recent decades, scholars have come to view Bosch's vision as less fantastic, and accepted that his art reflects the orthodox religious belief systems of his age. [31] His depictions of sinful humanity and his conceptions of Heaven and Hell are now seen as consistent with those of late medieval didactic literature and sermons. Most writers ...
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
Philip II acquired the painting at auction in 1591; two years later he presented it to El Escorial. A contemporaneous description of the transfer records the gift on 8 July 1593 [52] of a "painting in oils, with two wings depicting the variety of the world, illustrated with grotesqueries by Hieronymus Bosch, known as 'Del Madroño'". [66]