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"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955.It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it.
In his essay "On Fairy-Stories", Tolkien discusses the function of dreams in fantasy, stating that [7] [T 1] in dreams strange powers of the mind may be unlocked. In some of them a man may for a space wield the power of Faërie, that power which, even as it conceives the story, causes it to take living form and colour before the eyes.
"The Council of Elrond", the second chapter of Book 2, is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the Ring, for introducing the final members of the Fellowship of the Ring, and for defining the planned quest to destroy it.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Tolkien's ambiguity, in his Middle-earth fiction, in his literary analysis of fantasy, and in his personal statements about his fantasy, has attracted the attention of critics, who have drawn conflicting conclusions about his intentions and the quality of his work, and of scholars, who have examined the nature of that ambiguity.
In the very first draft of the "Council of Elrond", which was to become The Fellowship of the Ring, the members of the Fellowship were to be Frodo, Gandalf, Trotter (later Strider/Aragorn), Glorfindel, Durin son of Balin (who became Gimli son of Glóin), Sam, Merry and Pippin; Boromir and Legolas did not come in until much later.
The scholar Brian Rosebury considers Tolkien's narrative portrayal of Gollum (pictured) his most memorable success. [1]The philologist and fantasy author J. R. R. Tolkien made use of multiple literary devices in The Lord of the Rings, from its narrative structure and its use of pseudotranslation and editorial framing, to character pairing and the deliberate cultivation of an impression of ...
The scene uses the device of shot/reverse shot to switch between the two personalities, who are represented as two different CGI characters. The scholar of film Kristin Thompson writes that Jackson and Fran Walsh , who directed the scene, suggest the mental conflict using a "subtle combination of framing, camera movement, editing, and character ...