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Mbira (/ ə m ˈ b ɪər ə / əm-BEER-ə) are a family of musical instruments, traditional to the Shona people of Zimbabwe.They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger.
The mbira is a traditional instrument of the Shona People often used in religious ceremonies. There are several different varieties of mbira including the mbira dzavadzimu and mbira nyunga nyunga. An Mbira dzavadzimu. Shona music is well known as representative of mbira ("thumb piano") music.
Mbira pleases both the living and the dead". In 1991, Musekiwa was a key member of the band Panjea, founded by Chris Berry. He composed the hit song "Ganda" on Panjea's Zimbabwean album. Currently Musekiwa teaches mbira at Prince Edward School in Harare. He is a singer, dancer, drummer, and he plays both mbira dzavadzimu and nyunga nyunga.
This disc features Maraire exclusively on Nyunga Nyunga mbira. A 12-page booklet by Maraire is included, describing the background, composition, and performance of nyunga-nyunga mbira music. Dumi and the Marire Marimba Ensemble (1978-1979). Chiwoniso Music of Zimbabwe. OXO Studios, Seattle, WA.. Chaminuka (1989). Dumi's first commercial ...
The following is a list of players of the mbira, an African plucked lamellophone musical instrument. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The 22–24-key mbira dzavadzimu is used to summon spirits, and the 15-key Mbira Nyunga Nyunga is taught from primary school to university. [ citation needed ] Shona music also uses percussion instruments such as the marimba (similar to a xylophone ), shakers ( ' hosho '), leg rattles, wooden clappers (' makwa' ), and the ' chikorodzi ,' a ...
The mbira (left) and the karimba or mbira nyunga nyunga in Tracey's hands The spiritual center of the African lamellophone world is Zimbabwe. The instrument that Hugh Tracey had fallen in love with when he arrived in Africa in the 1920s was the mbira , a complex 24-note lamellophone used by the Shona people of Zimbabwe .
The mbira plays a central role in the traditional Bira ceremony used to call on ancestral spirits. [14] The instrument is a central piece in their religious rituals. The most important function of mbira is the idea of it being a "telephone to the spirits" during ceremonies.