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Rubens was quite fond of painting full-figured women, giving rise to terms like 'Rubensian' or 'Rubenesque' (sometimes 'Rubensesque'). His large-scale cycle representing Marie de' Medici focuses on several classic female archetypes like the virgin, consort, wife, widow, and diplomatic regent. [ 46 ]
Two Women with a Candle or Old Woman and Young Woman with a Candle is a 1616-1617 painting by Peter Paul Rubens, now in the Mauritshuis, The Hague, Netherlands. Its chiaroscuro shows strong influence from Caravaggio , whose work Rubens had seen during a stay in Rome.
Portrait of a Young Woman is an unfinished painting of around 1603, attributed to Rubens.It may be connected with a commission from Vincenzo Gonzaga, Duke of Mantua mentioned in Rubens' letters, during the latter's time in Italy and Spain, to paint aristocratic Spanish ladies to add to the duke's 'gallery of beauties'.
Portrait of a Noblewoman with a Dwarf (c. 1606) by Peter Paul Rubens. Portrait of a Noblewoman with an Attendant is an oil-on-canvas portrait by Peter Paul Rubens executed c. 1606.
A sketch of Rubens' painting (ca. 1823–24) by J. M. W. Turner is in the Tate. [5] Élisabeth Vigée Le Brun, Self-portrait in a Straw Hat, 1782. In 1781, Élisabeth Vigée Le Brun and her husband visited Flanders and the Netherlands, which inspired her to paint Self-portrait in a Straw Hat (1782), a "free imitation" of Rubens' Le Chapeau de ...
The painting depicts the female personifications of the four continents (Europe, Asia, Africa, and America) with the male personifications of their respective major rivers (the Danube, the Ganges, the Nile, and the Río de la Plata). The painting also depicts three putti in the foreground along with a crocodile, tigress, and her three cubs. An ...
Art UK artwork ID: marchesa-maria-serra-pallavicino-100457 [ edit on Wikidata ] Portrait of Maria di Antonio Serra is a 1606 oil-on-canvas painting by Peter Paul Rubens , painted on the occasion of the sitter's marriage to Duke Nicolò Pallavicino in 1606 and now in the National Trust collection at Kingston Lacy .
This painting is an allegory and exaltation of love and marriage, as well as the merry company. In the far-left corner, a male gentleman escorts a woman in all-black towards the entourage. The man is believed to be Rubens, which led to the early identification of this painting to be a self-portrait with friends.