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The curling Art Nouveau lines appeared in each poster, in costumes or in the rising steam from a cup of coffee. His posters were so popular that he sold them to collectors by subscription, a practice soon followed by other prominent Art Nouveau poster designers, including Alphonse Mucha.
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha
Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
1898 poster. La femme brune, Alphonse Mucha.. Around 1900 Art Nouveau and postcards were at their peak. It was a period of fundamental renewal for the arts; nature and the flower-woman were, like Japonisme, a source of inspiration for artists.
The poster, filling the frame with a bold composition, shows a simply-dressed young woman gazing thoughtfully at an umbel of angelica. [10] In January 1895 Mucha's Art Nouveau poster for Sarah Bernhardt as Gismonda was displayed across Paris. [11] The next year Mucha created the poster for the 20th Salon exhibition, which opened on 22 April ...