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Chronemics is an anthropological, philosophical, and linguistic subdiscipline that describes how time is perceived, coded, and communicated across a given culture. It is one of several subcategories to emerge from the study of nonverbal communication.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were among the first abstract paintings in American art.
Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York. The Return to Order (French: retour à l'ordre) was a European art movement following the First World War that rejected the extreme avant-garde art of the years up to 1918 and emphasized the classical ideals of order and rationality.
The decadent movement was a response to the perceived decadence within the earlier Romantic, naturalist and realist movements in France at this time. [52] The decadent movement takes decadence in literature to an extreme, with characters who debase themselves for pleasure, [53] [54] and the use of metaphor, symbolism and language as tools to ...
The special meaning it has in relativity theory is not important for our purposes; we are borrowing it for literary criticism almost as a metaphor (almost, but not entirely). What counts for us is the fact that it expresses the inseparability of space and time (time as the fourth dimension of space).
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...