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Frontispiece to The How and Why Library, 1909 "Once upon a time" is a stock phrase used to introduce a narrative of past events, typically in fairy tales and folk tales. It has been used in some form since at least 1380 [1] in storytelling in the English language and has started many narratives since 1600.
Other words are "yoisho!", "yoi yoi yoi!", and "choi choi!" Kakegoe are also used in Buyō dancing, when the stage name of the performer is shouted at key points in a dance. A great deal of kakegoe are usually unvoiced parts of the repeating chorus of the song. In a famous folk song called "Soran Bushi" the shout "ah dokkoisho, dokkoisho!" is ...
The grito is sometimes used as part of the official remembrance of the Shout of Dolores, during the celebration of Mexican Independence Day. [1] The grito mexicano has patriotic connotations. It is commonly done immediately prior to the popular Mexican war cry: "¡Viva Mexico, Señores!" (Long live Mexico, Gentlemen!).
Drill instructors frequently shout to train recruits into the military culture whilst fostering obedience and expedience. Shouting in this context is intended as stress stimulus, triggering the fight-or-flight response. This allows the drill instructor to observe inherent recruit responses to stress, to modify such responses, and to also ...
A happy ending is epitomized in the standard fairy tale ending phrase, "happily ever after" or "and they lived happily ever after". ( One Thousand and One Nights has the more restrained formula "they lived happily until there came to them the One who Destroys all Happiness" (i.e. Death); likewise, the Russian versions of fairy tales typically ...
An anonymous contributor to The Spectator in 1893 recalled that in the 1830s "Whenever we children were so happy as to be tearing about in a high wind, we shouted or sang ["Arthur o' Bower"] as we ran...In fact, it was an understood necessary accompaniment to the wind, and was sometimes performed swinging with the waving branches of a tree-top."
Some assemblies may choose this form of discourse deliberately so that creative contributions are not stifled by formal rules. The Bourbaki working parties to establish a definitive new reference work for mathematics were conducted in this way, being described as “Two or three monologues shouted at top voice, seemingly independently of one another” by Armand Borel, who attributed the ...
"I'll shout you to the pictures"; "I'll shout you a new dress" [4] "He shouted her to a slap-up meal" [ 5 ] Historically, the term "shout" was used by Rolf Boldrewood in A Colonial Reformer (1877), Henry Lawson in his poem "The Glass on the Bar" (1890), Jack Moses in Beyond the City Gates (1923) and Dal Stivens in The Courtship of Uncle Henry ...