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For small-format printing, inkjet has also become the dominant technology, though special dye-sublimation transfer laser printers are also available. [6] In order to transfer the image from the paper to the substrate, it requires a heat press machine process that is a combination of time, temperature, and pressure.
Microcontact printing (or μCP) is a form of soft lithography that uses the relief patterns on a master polydimethylsiloxane (PDMS) stamp or Urethane rubber micro stamp [1] to form patterns of self-assembled monolayers (SAMs) of ink on the surface of a substrate through conformal contact as in the case of nanotransfer printing (nTP). [2]
Ink of a second color, and the thinnest viscosity, is then applied to the surface of the plate with a hard rubber roller, so that it covers the plate in one pass and only transfers onto the highest areas of the plate. Ink of a third color, and a much stiffer consistency, is then applied to the lower areas of the plate with a softer rubber roller.
The master is placed on the gelatin and spirits applied to transfer the ink from the master to the gelatin. After transfer of the image to the inked gelatin surface, copies are made by pressing paper against it. When a pad ceased to be useful, the gelatin could be soaked with spirits, the ink sponged away, and the pad left clean for the next ...
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
To print an intaglio plate, ink or inks are painted, wiped and/or dabbed into the recessed lines (such as with brushes/rubber gloves/rollers). The plate is then rubbed with tarlatan cloth to remove most of its waste (surface ink) and a final smooth wipe is often done with newspaper or old public phone book pages, leaving it in the incisions.