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López's deconstruction of images of women such as the Virgen de Guadalupe was an effort to acknowledge the complex social and historical conditions that inform the experiences of Mexican and Mexican American women". [43] In one specific image she portrays her mother, Margaret Stewart, sewing the Virgin's starred mantle.
The Codex Escalada. Codex Escalada (or Codex 1548) is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images (with supporting Nahuatl text) depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico ...
Our Lady of Guadalupe (Spanish: Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe (Spanish: Virgen de Guadalupe), is a Catholic title of the Blessed Virgin Mary associated with four Marian apparitions to Juan Diego and one to his uncle, Juan Bernardino reported in December 1531, when the Mexican territories were part of the ...
Image of the Virgin Mary Mother of God of Guadalupe (Spanish: Imagen de la Virgen María, madre de Dios de Guadalupe) published in 1648, was the first written account of the story of Our Lady of Guadalupe. It retells the events of the 1531 apparitions that led to the Marian veneration in Mexico City, New Spain.
Marcos Cipac de Aquino (?–1572), informally known as Marcos the Indian, was a Nahuatl artist in sixteenth-century Mexico, who may have been the painter of the image of the Virgin of Guadalupe. Art historian Jeanette Favrot Peterson has ventured, "Marcos Cipac (de Aquino) was the artist of the Mexican Guadalupe, capable of executing a large ...
To Lopez, La Virgen de Guadalope is more than a religious symbol. She is a public figure and a symbol of her culture, community and family. La Virgen also served as symbols in art work for the Chicano Movement and the Women’s Liberation Movement in Mexico which Lopez cites as further support that La Virgen is not only a religious symbol. [8]
For example, la Virgen de Guadalupe, who is an important figure in Mexican culture, is used in a socio-political context by Chicano artists as a symbol of both hope in times of suffering, and empowerment, particularly when embodying an average woman or portrayed in an act of resistance.
Margarita “Mita” Cuaron’s most famous pieces of Our Lady of Guadalupe are Virgen de la Sandía (1996) and Virgen de Guadalupe Baby (1992). Virgen de Guadalupe Baby (1992) depicts La Virgen de Guadalupe as a baby surrounded by the womb, which is shaped by white, fluffy clouds and is surrounded by La Virgen’s typical yellow, sunlight rays ...