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The fabric employed is cotton, and the weave is an English gauze in which two warp yarns are twisted around the weave and around the weft. The weight is between 150 and 250 gr/m2, but the open gauze weave makes it a quite light and breathable fabric that is excellent in presence of harsh climates such that of the Tropics.
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Around the same time, a pattern called Boteh was gaining popularity in Iran; the pattern was a floral design, and was used to represent elite status, mostly serving to decorate royal objects. [8] The pattern was traditionally woven onto silk clothing using silver and gold material. [ 8 ]
The chairs en cabriolet were usually lighter, often had cane seats and backs, and could be moved around easily. He included some new styles, notably the voyeuse a small chair with an armrest on the back, so the person seated could either face forward or turn around and sit astride the chair with his arms on the back of the chair. [11]
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The armchairs chairs of the early Louis XIV style had legs in a form called en gaine or en balustre, which were lavishly decorated with sculpted and often gilded ornaments called godsons, cannelures and feuillages, or leaves. The four legs were connected for support by a cross beam under the chair in the form of an H, which evolved into an X.