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The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. [1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create ...
Two bi-directional AKG C414 microphones set up in a Blumlein pair. Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.
In live sound mixing, GBF is dependent on a wide variety of conditions: the pickup pattern (polar pattern) of the microphone, the frequency response of the microphone and of the rest of the sound system, the number of active microphones and loudspeakers, the acoustic conditions of the environment including reverberation and echo, and the relative positions of the microphones, the loudspeakers ...
A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
Mid/side coincident technique employs a bidirectional microphone (with a figure of 8 polar pattern) facing sideways and a cardioid (generally a variety of cardioid, although Alan Blumlein described the usage of an omnidirectional transducer in his original patent) facing the sound source.
A shuffling circuit, which aimed to preserve the directional effect when sound from a spaced pair of microphones was reproduced via stereo headphones instead of a pair of loudspeakers; The use of a coincident pair of velocity microphones with their axes at right angles to each other, which is still known as a Blumlein pair ;