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Art Institute of Chicago, Chicago Ciphers and Constellations in Love with a Woman ( Catalan : Xifrats i constellacions, en l'amor amb una dona ) is a painting by Joan Miró created in 1941. The medium is gouache, watercolor, and graphite on paper, and the work's dimensions are 46 cm × 38 cm (18 in × 15 in).
Print/export Download as PDF; ... Media in category "Paintings by Joan Miró" ... Miro Still Life with Old Shoe.jpg 378 × 264; 25 KB.
Today only the location of two of these series is known. One set is in the Joan Miró Foundation and a second set is owned by the descendants of Joan Prats . [ 4 ] Because of the censorship in Spain under General Franco following the civil war, it was impossible to exhibit these pictures.
Joan Miró works at the National Gallery of Art; Joan Miró at the Museum of Modern Art; Olga's Gallery: Joan Miró; Artcyclopedia Directory of online works; Joan Miró in American public collections, on the French Sculpture Census website ; Algorithmic emulation of the most basic aspects of the works of Joan Miró using random numbers and ...
Paintings on Masonite is a series of 27 abstract paintings made by Joan Miró using the type of proprietary hardboard known as masonite, just after the Spanish Civil War started on 18 July 1936. These works break with his earlier phase which was known as his wild paintings period.
As an up-and-coming artist in Paris during the 1920s, Miró was influenced heavily by Cubism and Art Nouveau [citation needed], particularly the works of artists like Picasso. During this time he painted works similar to Bleu I, II and III such as Maternity (1924), Painting (1927), and Catalan Peasant with a Guitar (1924).
Women and Birds (French: Femmes et Oiseaux) is a 1963 painting by the Catalan artist Joan Miró. In February 2014 it was expected to be sold at auction for between $6.5m and $11.5m, but the auction was cancelled.
The objects chosen by Miro are deliberately poor and humble, tied to ordinary people's life: an old shoe, a little of food, some things found in any kitchen. They stand as a tragic symbol. Its huge size become a threat, [ 7 ] reinforced by the contrast of colours and the ghostly light, which sometimes seem to emanate from the objects. [ 8 ]