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After the Passage of the Red Sea, Moses and the people of Israel rejoice: "The L ORD... has become my salvation; ...Pharaoh's chariots and his army He cast into the Red Sea ...
Propp reported a common scholarly view that Exodus 34 contains the Yahwist's (J) Covenant and that the revelation of God's Name in Exodus 34:6–7 corresponds to the comparable scenes from the Elohist (E) in Exodus 3:13–15 and the Priestly source (P) in Exodus 6:2–3. Propp thus argued that Exodus 34:6–7 is one long, full Name for God.
The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18. It is followed in verses 20 and 21 by a much shorter song sung by Miriam and the other women.
The Song of the Conquerors (15:1–4) [ edit ] Those who have the victory over the beast, over his image and over his mark, and over the number of his name , sing the song of Moses (as in the Song of the Sea from Exodus 15:1–8 ) and the song of the Lamb, because "they overcame him by the blood of the Lamb" ( Revelation 12:11 ).
The Crossing of the Red Sea or Parting of the Red Sea (Hebrew: קריעת ים סוף, romanized: Kriat Yam Suph, lit. "parting of the sea of reeds") [1] is an episode in The Exodus, a foundational story in the Hebrew Bible. It tells of the escape of the Israelites, led by Moses, from the pursuing Egyptians, as recounted in the Book of Exodus. [2]
The documentary hypothesis (DH) is one of the models used by biblical scholars to explain the origins and composition of the Torah (or Pentateuch, the first five books of the Bible: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy). [4] A version of the documentary hypothesis, frequently identified with the German scholar Julius Wellhausen ...