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Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi, the Divan is dedicated to Shams and contains many verses praising him and lamenting his disappearance. [4] Although not a didactic work, the Divan still explores deep philosophical themes, particularly those of love and longing. [5]
"Nahan" is based on parts of خوش باش که هر که راز داند (Xoš bâš ke har ke râz dânad) from Diwan-e Shams-e Tabrizi by Jalal ad-Din Muhammad Rumi. "Allahi Allah" is based on a traditional Urdu religious song. "The Hunt" is based on the poem بیا بریم دشت (Biyâ berim dašt) by the 14th century Persian poet Obeyd-e ...
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
Rumi: The Musical is a musical with music and lyrics by Dana Al Fardan and Nadim Naaman and a book by Naaman. [1] The show is based on a story by Evren Sharma and follows the relationship 13th century poet Rumi and his mentor Shams Tabrizi.
He went out, never to be seen again. It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship. [56] Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, Divan-e Shams-e Tabrizi ...
The opera features the relationship between the 13th-century poet Rumi, and the Sufi dervish Shams Tabrizi without literally embodying the characters. The main narrative action ends with the death of Shams Tabrizi and Rumi's coming-to-terms with it in his work and life. This is thought to have taken place historically in 1248.
Rumi's Divan-i Shams-i Tabrizi (Divan e Shams), 1898; Ibn Arabi's Tarjuman al-Aswaq (1911) Poetry by the Sindhi language poet Shah Abdul Latif Bhittai [9]
The second type of Persian poetry is lyric poetry, such as the ghazals of Hafez, or the spiritual poems in Rumi's collection known as the Diwan-e Shams-e Tabrizi. These tend to be in longer metres, usually of 14 to 16 syllables long, in tetrameter form (i.e. with four feet in each hemistich or half-verse).