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Jean-Baptiste Lully [a] (28 or 29 November [O.S. 18 or 19 November] 1632 – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style.
Jean-Baptiste Lully is considered the most important composer of music for ballet de cour and instrumental to the development of the form. During his employment by Louis XIV as director of the Académie Royale de Music , he worked with Pierre Beauchamp , Molière , Philippe Quinault and Mademoiselle De Lafontaine to develop ballet as an art ...
Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.
Roland is a tragédie lyrique in three acts by the composer Niccolò Piccinni.The opera was a new setting of a libretto written by Philippe Quinault for Jean-Baptiste Lully in 1685, specially adapted for Piccinni by Jean-François Marmontel and based on Ludovico Ariosto's epic poem Orlando Furioso (The Frenzy of Orlando).
Perhaps one of the most influential men on ballet during the seventeenth century was Jean Baptiste Lully. Lully was born in Italy, but moved to France where he quickly became a favorite of Louis XIV and performed alongside the king in many ballets until the king's retirement from dance in 1670. [3]
French sources widely attribute to Lully the composition of the British patriotic anthem God Save the King: the sole ultimate source of the attribution is a 19th-century forgery, the Souvenirs of the Marquise de Créquy (q.v.).
The first example of the genre is considered to be Les fâcheux, with words by Molière, performed in honour of Louis XIV at Vaux-le-Vicomte, the residence of Nicolas Fouquet, in 1661. The music and choreography were by Pierre Beauchamp , but Jean-Baptiste Lully later contributed a sung courante for Act I, scene 3.
Acis et Galatée (Acis and Galatea) is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated tragédies en musique , Lully called this work a pastorale-héroïque , because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five.
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