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[12] However, the Pembroke Fiddle & Step Dancing contest, along with the Canadian Grand Masters, have eclipsed the contest in terms of attracting a wider range of fiddlers across the country, especially due to their closeness in dates and being near Labour Day weekend. Yet, as argued by Sherry Johnson, the Canadian Open Old Time Fiddle ...
Alfie Myhre 2014: Denis Lanctôt 2015: Winnie Chafe 2016: Roy Warhurst 2017: Yvon Cuillerier 2018: The Ottawa Valley Builders and Scott Woods: 2019: British Columbia Old Time Fiddle Association and Daniel Lapp: 2022: Frontier School Division, Patti Kusturok, Anne Lederman, Garry Lepine, Mel Bedard, and Larry Martineau 2023
The Grand North American Old Time Fiddle Championship is the longest-running annual fiddle contest in Alberta, held in mid-July. [1] The event started in 1981, becoming part of Klondike Days (known as K-Days ) in the 1990s, and with virtual contests held during the COVID-19 pandemic in 2020 and 2021. [ 2 ]
The National Oldtime Fiddlers' Contest is an old-time music competition, festival, and musical gathering in the western United States, held annually during the third full week in June in Weiser, Idaho, about fifty miles (80 km) northwest of Boise.
Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka. When the fiddle is accompanied by banjo, guitar, mandolin, or other string instruments, the configuration is called a string band. The types of tunes found in old-time fiddling are called "fiddle tunes ...
The Glenfiddich Piping Championship was established in 1974, as the Grant's Piping Championship, to inspire and stimulate individual pipers, and to seek the best overall exponents of the Ceòl Mór or piobaireachd (the great music) and Ceòl Beag (the little music).
In contemporary American fiddle styles, the New England states are heavily influenced by all Celtic styles, including Cape Breton fiddle-playing; whereas Southern or "Dixie" fiddle styles have tended to develop their own traditions, which emphasize double stops and in some instances the incorporation of dance calls or simple lyrics.
The percussive use of footwork, however, is not limited to the First Nations musicians. Fiddle music, in general, lends itself well to group playing and percussive use of feet and hands, as in the performance of La Turlette at Kyneton, central Victoria, where the Celtic Southern Cross Summer School produced this ethnomusicologically notable ...