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NoiseTracker is a freeware tracker created in 1989 for the Amiga platform. [1] [2] It was based on the Ultimate Soundtracker and developed by Pex "Mahoney" Tufvesson and Anders “Kaktus” Berkeman.
Rosegarden is a free software digital audio workstation program developed for Linux with ALSA, JACK and Qt4. It acts as an audio and MIDI sequencer, scorewriter, and musical composition and editing tool. It is intended to be a free alternative to such applications as Cubase.
Cakewalk by BandLab is licensed via free subscription. In order to download and install the package and add-ons (which include the Cakewalk Studio Instruments bundle, Cakewalk Theme Editor, and a trial version of Celemony Melodyne), the user must first create an account at BandLab’s website, then download and run either the web installer or BandLab Assistant.
Protracker is a music tracker for the Amiga platform. A free software tool that required no additional equipment, it became popular in the early 1990s with both amateurs and professionals, allowing for sample-based music in the MOD file format. [1]
MuseScore Studio (branded as MuseScore before 2024) [8] is a free and open-source music notation program for Windows, macOS, and Linux under the Muse Group, which owns the associated online score-sharing platform MuseScore.com and a freemium mobile score viewer and playback app.
LMMS (formerly Linux MultiMedia Studio [6]) is a digital audio workstation application program.It allows music to be produced by arranging samples, synthesizing sounds, entering notes via computer keyboard or mouse (or other pointing device) or by playing on a MIDI keyboard, and combining the features of trackers and sequencers.
Dr. T's Music Software was a software company based in Massachusetts and founded in 1984 by Emile Tobenfeld. The company developed music software for the Atari ST , Commodore 64 , Commodore 128 , Amiga , IBM Personal Computer , and Macintosh . [ 1 ]
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.