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If the square format images are cropped to an equivalent 3:2 aspect ratio, the resulting 56.5×37.7 mm (2.22×1.48 in) images would have an equivalent focal length multiplier of 0.64, so the 80 mm lens has the equivalent angle of view as a 50 mm lens on a 135 film camera.
Zeiss F-mount lenses (2 P) Pages in category "Zeiss lenses" The following 24 pages are in this category, out of 24 total. ... This page was last edited on 3 April ...
Lens attached to camera as used for Kubrick's Barry Lyndon. The Carl Zeiss Planar 50mm f /0.7 is one of the largest relative aperture lenses in the history of photography. [1] The lens was designed and made specifically for the NASA Apollo lunar program to capture the far side of the Moon in 1966. [2] [3] [better source needed] [4]
A zoom lens derivative of the Sonnar, the Vario-Sonnar also exists, in which a number of lens groups are replaced with floating pairs of lens groups. The Vario-Sonnar is a Carl Zeiss photographic lens design named in relation to the Zeiss Sonnar. This lens type has a variable focal length which can replace a series of lenses for a certain ...
They performed very well as normal and medium-long focus lenses for small and medium format cameras. One of the most notable Planar lenses is the high-speed f / 2.0/110 mm lens for the 2000- and 200-series medium format Hasselblad cameras with a similar version available for the Rolleiflex 6000 series cameras.
Jupiter-3 50 mm f /1.5 lens. The Jupiter-3 lens is derived from Zeiss Sonnar optical design. It has seven elements in three groups. [1] This lens is the fastest Jupiter lens, having a maximum aperture of f/1.5. The focal length of this lens is 50mm, sometimes also expressed as 5cm.
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