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As early as the 1980s, the popularity of the Erawan worshippers of Phra Phrom from its inceptions in Thailand spread, accompanied by faithful reproduction of the structure of the Thai-style shrine and the image, among overseas Chinese in other countries of Southeast Asia (Singapore, Indonesia and Malaysia), in Taiwan, and in China, with shrines established in Hong Kong, Shanghai and Guangzhou.
The core part of the temple, at the centre of the terraces, is in the shape of a cube, which houses the four standing Buddha massive statues on its four faces, each of 9.5 metres (31 ft)height (above a 8 feet (2.4 m) high throne). The spire rises above this cubic structure.
At 46 feet 4 inches (14.12 m) in length, the reclining image is the largest statue in Gal Vihara, [12] and also one of the largest sculptures in Southeast Asia. [20] It depicts the parinirvana of the Buddha, who is lying on his right side with the right arm supporting the head on a bolster, while the left arm lies along the body and thigh.
The first statues and busts of the Buddha were made in the region around Mathura or Gandhara in the second or third century CE. [4] [5] Many statues and busts exist where the Buddha and other bodhisattvas have a mustache. Seated Buddha, Gandhara, 1st–2nd century CE, Tokyo National Museum Buddha depicted with urna, gilt bronze, 14th century
Scholars have theorized that the faces belong to Avalokitesvara, the bodhisattva of compassion. [8] But some locals believe the temple was built for Brahma, since the faces have four sides, representing Brahma's four faces. Also, the faces have three eyes, which symbolizes Shiva in the Trimurti. Buddha's images seldom wear jewelry like ...
Buddha in the tribhanga (leaning) position with somewhat Indian facial features and no aureole. The right hand is typically free, while the left is depicted grasping the Buddha's robe. Buddha in the Amaravati style with loosely folded legs and a lotus shaped aureole. Such statues have a continuous eyebrow, a flat nose and thick lips.