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Fan studies is an academic discipline that analyses fans, fandoms, fan cultures and fan activities, including fanworks. It is an interdisciplinary field located at the intersection of the humanities and social sciences , which emerged in the early 1990s as a separate discipline, and draws particularly on audience studies and cultural studies .
Swifties are the fandom of the American singer-songwriter Taylor Swift. Regarded by journalists as one of the largest, most devoted, and influential fan bases, Swifties are known for their high levels of participation, creativity, community, fanaticism, and cultural impact on the music industry and popular culture.
American singer-songwriter Michael Jackson (1958–2009) is regarded as one of the most significant cultural figures of the 20th and 21st century, [1][2] and one of the most successful and influential entertainers of all time. [3][4][5] Often referred as the "King of Pop", [6] his achievements helped to complete the desegregation of popular ...
Thus, encoding/decoding is the translation needed for a message to be easily understood. When you decode a message, you extract the meaning of that message in ways to simplify it. Decoding has both verbal and non-verbal forms of communication: Decoding behavior without using words, such as displays of non-verbal communication.
Swift is a subject of academic research, media studies, and cultural analysis, generally focused on concepts of poptimism, feminism, capitalism, internet culture, celebrity culture, consumerism, Americanism, post-postmodernism, and other sociomusicological phenomena. Several academic institutions offer courses on her.
Because of this power -- and this "closeness" -- fans have started to give themselves collective names. Some of them, surely, you're familiar with: Lady Gaga's Little Monsters, Justin Bieber's ...
Audience reception. Also known as reception analysis, audience reception theory has come to be widely used as a way of characterizing the wave of audience research which occurred within communications and cultural studies during the 1980s and 1990s. On the whole, this work has adopted a "culturalist" perspective, has tended to use qualitative ...
Culture in music cognition. Culture in music cognition refers to the impact that a person's culture has on their music cognition, including their preferences, emotion recognition, and musical memory. Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults' classification of the emotion of a ...