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The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen; KMSKA) is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art ...
Website. Official website. The Royal Museums of Fine Arts of Belgium (French: Musées royaux des Beaux-Arts de Belgique; Dutch: Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum ...
Kunsthal Charlottenborg. Coordinates: 55°40′49″N 12°35′14″E. Kunsthall Charlottenborg seen from the courtyard. Kunsthal Charlottenborg is an exhibition building in Copenhagen, Denmark. It is the official exhibition gallery of the Royal Danish Academy of Art. [1]
Royal Museum of Fine Arts Antwerp, Antwerp. The Biddende Maria (Mary in Prayer or Virgin at prayer) is an oil-on-panel painting by the Flemish Renaissance artist Quentin Matsys. The painting was produced in the first decade of the 16th century, probably in 1500. [1] The painting is currently housed at the Royal Museum of Fine Arts in Antwerp.
In 2007 the museum reopened after four years of restoration. The museum is a member of The Flemish Art Collection. This is a structural partnership joining the three main museums of fine arts in Flanders: Royal Museum of Fine Arts, the Groeninge Museum in Bruges and the Ghent Museum of Fine Arts. The museums’ collections have all been ...
The Musée des beaux-arts (Museum of Fine Arts), on the first and second floors of the palace, is the successor of the Musée de peinture et de sculpture (Museum of painting and sculpture), established in 1803 and entirely destroyed by Prussian artillery shelling and the subsequent violent fire during the night of 24–25 August 1870. [73]
The Royal Academy Schools was the first institution to provide professional training for artists in Britain. The Schools' programme of formal training was modelled on that of the French Académie de peinture et de sculpture, founded by Louis XIV in 1648. It was shaped by the precepts laid down by Sir Joshua Reynolds.
The new museum complex at the Cinquantenaire was named the Royal Museums of Decorative and Industrial Arts. That name was changed in 1912 to the Royal Museums of the Cinquantenaire, but, to prevent confusion, had to be changed yet again when the Museum of the Armed Forces and Military History was also established at the Cinquantenaire in 1922 ...