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Manunggul Jar displayed at Philippine National Museum of Anthropology. The Manunggul Jar is widely acknowledged to be one of the finest Philippine pre-colonial artworks ever produced and is considered a masterpiece of Philippine ceramics. It is listed as a national treasure and designated as item 64-MO-74 [3] by the National Museum of the ...
A funeral procession in the Philippines, 2009. During the Pre-Hispanic period the early Filipinos believed in a concept of life after death. [1] This belief, which stemmed from indigenous ancestral veneration and was strengthened by strong family and community relations within tribes, prompted the Filipinos to create burial customs to honor the dead through prayers and rituals.
Jar burial. Jar burial is a human burial custom where the corpse is placed into a large earthenware container and then interred. Jar burials are a repeated pattern at a site or within an archaeological culture. When an anomalous burial is found in which a corpse or cremated remains have been interred, it is not considered a "jar burial".
A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display.
15th century bulul with a pamahan (ceremonial bowl) in the Louvre Museum Wooden images of the ancestors in a museum in Bontoc, Mountain Province, Philippines. Bulul, also known as bu-lul or tinagtaggu, is a carved wooden figure used to guard the rice crop by the Ifugao (and their sub-tribe Kalanguya) peoples of northern Luzon.
Pablo Cueto Amorsolo (born Pablo Cueto; June 26, 1898 – February 21, 1945) [1] was a Filipino painter. He was the younger brother of the Philippine National Artist Fernando Amorsolo. [2][3][4][5][6] Limpia Botas by Pablo Amorsolo, University of Santo Tomas Collection. Fruit Vendor by Pablo Amorsolo, University of Santo Tomas Collection.
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...