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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
The snare drum illustrates the three main ways in which a sound can be perceived as indeterminate in pitch: The sound may lack any fundamental frequency sufficiently loud to produce a sensation of pitch, for example a sound consisting of noise , or a mixture of sounds containing a great deal of such noise.
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
Harlan Silverman – drum programming; James Plotkin – engineer; Dominique Rodriguez – marching drum; Tom Rogers – mastering (Atomix Studios) Oz Fritz – mixing (High Velocity) The Blasting Company – recording, production; Calder Dudgeon – saw; Cory Beers – snare drum, davul; Deborah Voigt – soprano vocals; Austin Hoke – strings
Traditional grip is almost exclusively used to play the snare drum, especially the marching snare drum, and often the drum kit. Traditional grip is more popular in jazz drumming than in other drum kit styles due to the early jazz drummers evolving their style from marching and military styles and instrumentation, [ 1 ] although it is also used ...
Crenshaw recorded the song alone, including the percussion, which was a combination of maracas, tambourine and two tracks of a single snare drum: he explained, "For a bass drum I muffled a parade snare drum with my hand and hit it just right, then I used the same drum as the snare drum."