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A variety of plastic objects conserved in a museum (Finland) Conservation and restoration of objects made from plastics is work dedicated to the conservation of objects of historical and personal value made from plastics. When applied to cultural heritage, this activity is generally undertaken by a conservator-restorer.
Check out people's best handiwork when it came to restoring various furniture items that they had gathering dust around their homes.
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
For example, when selecting a plastic with which to make storage enclosures, conservators prefer to use relatively long-lived plastics because they have better ageing properties - they are less likely to become yellow, leach plasticisers, or lose structural integrity and crumble (examples include polyethylene, polypropylene, and polyester ...
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Restoration "focuses on the retention of materials from the most significant time in a property's history, while permitting the removal of materials from other periods." [4] Reconstruction, "establishes limited opportunities to re-create a non-surviving site, landscape, building, structure, or object in all new materials." [4]
Clocks can be simple display objects if they are not required to run. This reduces the physical force on the clock. Whereas "running any functional object will result in wear and handling, which contributes to the degradation of the parts. Replacing the inner workings of a clock still requires handling, which could potentially damage the clock.
Cellulose acetate is also known as "safety" film and started to replace nitrate film in still photography in the 1920s. [1] There are several types of acetate that were produced after 1925, which include diacetate (c. 1923 – c. 1955), acetate propionate (1927 – c. 1949), acetate butyrate (1936–present), and triacetate (c. 1950 – present). [1]